14 May 2026 – 07 June 2026
ARTWORKS
Liz Priestley
A Veil Transcendent
Encaustic on Birch
83 x 83 cm
$2,750.00
Liz Priestley
Dawn Echo
Encaustic on Birch
83 x 83 cm
$2,750.00
Liz Priestley
Gilded Light
Encaustic on Birch
125 x 125 cm
$3,950.00
Liz Priestley
Stormscape
Encaustic on Birch
83 x 83 cm
$2,800.00
Liz Priestley
Dance of Light
Encaustic on Birch
105 x 105 cm
$3,550.00
Liz Priestley
Landscape Study I
Encaustic on Birch
33 x 33 cm
$890.00
Liz Priestley
Landscape Study II
Encaustic on Birch
33 x 33 cm
$890.00
Liz Priestley
Reflections Beyond I
Encaustic on Birch
76 x 122 cm
$2,950.00
Liz Priestley
Reflections Beyond II
Encaustic on Birch
76 x 122 cm
$2,950.00
Liz Priestley
The Air Between I
Encaustic on Birch
122 x 76 cm
$2,950.00
Liz Priestley
The Air Between II
Encaustic on Birch
122 x 76 cm
$2,950.00
Liz Priestley
Twilight's Edge I
Encaustic on Birch
45 x 60 cm
$1,550.00
Liz Priestley
Landscape Study XVI
Encaustic on Birch
12 x 25 cm
● Sold
Liz Priestley
Landscape Study XVII
Encaustic on Birch
30 x 30 cm
● Sold
Liz Priestley
Landscape Study XIV
Encaustic on Birch
25 x 15 cm
● Sold
Liz Priestley
Boundless
Encaustic on Birch
103 x 103 cm
● Sold
Liz Priestley
Final Crossing
Encaustic on Birch
103 x 103 cm
● Sold
Liz Priestley
Pink Horizon
Encaustic on Birch
83 x 83 cm
● Sold
Liz Priestley
Traveller’s Resolve
Encaustic on Birch
83 x 83 cm
● Sold
Liz Priestley
Blue & Gold Contemplation
Encaustic on Birch
83 x 83 cm
● Sold
Liz Priestley
Charon's Way
Encaustic on Birch
94 x 150 cm
● Sold
Liz Priestley
Twilight's Edge II
Encaustic on Birch
45 x 60 cm
● Sold
EXHIBITION INFO
Liz Priestley’s contemporary landscapes occupy an in-between moment, where land and sky dissolve into atmosphere, and light is suspended at a particular moment of day. Built up through layers of pigmented beeswax, fused with heat, the encaustic surfaces hold a depth and translucency unique to the medium.
Priestley deliberately employs encaustic (wax) as a medium in her creative process, drawn to its architectural essence and its capacity for reduction. This allows her to construct a narrative by building up or selectively carving, scraping and melting away. Her work explores the immediate physical landscape as well as that of the internal landscape of memory and emotional connections to place and time. The resulting images are vehicles by which the viewer may experience their own epiphany of personal, binding memories.
Priestley deliberately employs encaustic (wax) as a medium in her creative process, drawn to its architectural essence and its capacity for reduction. This allows her to construct a narrative by building up or selectively carving, scraping and melting away. Her work explores the immediate physical landscape as well as that of the internal landscape of memory and emotional connections to place and time. The resulting images are vehicles by which the viewer may experience their own epiphany of personal, binding memories.
ARTIST
