ARTIST INFO
Rebecca Rath
NSW, Australia
‘Neath the Vast Open Sky'
A Solo Exhibition
Opens Thursday 10th October 2024
I could sit and paint my back yard of the Hunter Valley forever, but my complacency and familiarity would not be beneficial to growth. Travelling and exploring other places are very important to my continued growth as a painter, which is why I took a trip to our nation’s capital, Canberra. In my opinion, nothing truly wonderful is born from a comfort zone, so exploring light, texture, colour and form in new locations is always a welcome experience.
Filled with preconceived ideas and notions of our capital – lofty and organised roads, planned cites and parliamentary houses – I was pleasantly surprised by its natural beauty, often right at the city’s doorstep.
Urambi Hills Reserve, nestled behind the town of Kambah, surprised my painterly eyes. The ridgetop view, stretching towards The Bullen Ranges across Tuggeranong and the Murrumbidgee River was particularly striking. It was here that I set up to paint en plein air, gathering oil on board studies.
Also close to the city was the National Arboretum. With views towards Mount Painter, lying on the Ginninderra–Molonglo divide, together with 44, 000 rare and endangered trees, grasses and other plants, the Arboretum also provided a delightful tapestry of colour and texture.
Our journey around the area took us to Michealgo, a small town situated on the Monaro Hwy south of Canberra. Banjo Paterson poems came to mind while I worked en plein air in the bush. Inspiration abounds with the majestic two mountain ranges, the Tinderry Range to the East and the Clear Range to the west. Upon further research I realised its history steeped in bushranger lore and fable, no wonder the wordsmith Paterson featured in my mind. His words inspiring me to write my own verse or two about the area resulting in titles for the exhibition and works.
Yarra was the final stop on our journey back north to the Hunter Valley. Recent rains had revived the creek, and with it, the colours, tones, textures and sounds of this quintessential Australian landscape.
“ Yarra's gentle grace, its beauty ever true, In Canberra's arms, it finds its place, 'neath skies of clearest blue. And after rain, it shines the most, with colours bright and bold, A canvas vast and a poet's boast, its story to be told.” Rath
The work aims to resonate not only with Canberra locals but seeks to capture the hearts of all Australians, inspiring hope in Nature’s resilience and beauty, especially during challenging times. This resilience further strengthens our love for the land, natural landscapes and connection to oneself.
A Solo Exhibition
Opens Thursday 10th October 2024
I could sit and paint my back yard of the Hunter Valley forever, but my complacency and familiarity would not be beneficial to growth. Travelling and exploring other places are very important to my continued growth as a painter, which is why I took a trip to our nation’s capital, Canberra. In my opinion, nothing truly wonderful is born from a comfort zone, so exploring light, texture, colour and form in new locations is always a welcome experience.
Filled with preconceived ideas and notions of our capital – lofty and organised roads, planned cites and parliamentary houses – I was pleasantly surprised by its natural beauty, often right at the city’s doorstep.
Urambi Hills Reserve, nestled behind the town of Kambah, surprised my painterly eyes. The ridgetop view, stretching towards The Bullen Ranges across Tuggeranong and the Murrumbidgee River was particularly striking. It was here that I set up to paint en plein air, gathering oil on board studies.
Also close to the city was the National Arboretum. With views towards Mount Painter, lying on the Ginninderra–Molonglo divide, together with 44, 000 rare and endangered trees, grasses and other plants, the Arboretum also provided a delightful tapestry of colour and texture.
Our journey around the area took us to Michealgo, a small town situated on the Monaro Hwy south of Canberra. Banjo Paterson poems came to mind while I worked en plein air in the bush. Inspiration abounds with the majestic two mountain ranges, the Tinderry Range to the East and the Clear Range to the west. Upon further research I realised its history steeped in bushranger lore and fable, no wonder the wordsmith Paterson featured in my mind. His words inspiring me to write my own verse or two about the area resulting in titles for the exhibition and works.
Yarra was the final stop on our journey back north to the Hunter Valley. Recent rains had revived the creek, and with it, the colours, tones, textures and sounds of this quintessential Australian landscape.
“ Yarra's gentle grace, its beauty ever true, In Canberra's arms, it finds its place, 'neath skies of clearest blue. And after rain, it shines the most, with colours bright and bold, A canvas vast and a poet's boast, its story to be told.” Rath
The work aims to resonate not only with Canberra locals but seeks to capture the hearts of all Australians, inspiring hope in Nature’s resilience and beauty, especially during challenging times. This resilience further strengthens our love for the land, natural landscapes and connection to oneself.
ARTWORKS
Rebecca Rath
In the Fold, Mt Painter view from the Arboretum (Oak Float Frame)
Oil on canvas
30 x 120 cm
$2,200.00
Rebecca Rath
Holding the Distance (Bullen Ranges from Urambi) (Oak Float Frame)
Oil on canvas
30 x 120 cm
$2,200.00
Rebecca Rath
Low Sky, Long Paddock (Oak Float Frame)
Oil on canvas
10 x 10 cm
$295.00
Rebecca Rath
Low light on the plain, Rosebrook (Oak Float Frame)
Oil on canvas
10 x 10 cm
$295.00
Rebecca Rath
Held Between Ridge and River (Oak Float Frame)
Oil on canvas
10 x 10 cm
$295.00
Rebecca Rath
Golden Plains, Lilac Horizon (Oak Float Frame)
Oil on Wood Panel
40 x 40 cm
$890.00
Rebecca Rath
Golden Plains, Lilac Horizon ii (Oak Float Frame)
Oil on Wood Panel
40 x 40 cm
$890.00
Rebecca Rath
Sun Paints the Ranges in colours that fade (Urambi)
Oil on canvas
75 x 60 cm
$2,200.00
Rebecca Rath
Rebecca Rath Eucalypt Light, Thistle Hill
Oil on Canvas (Oak Float Frame)
90 x 120 cm
$3,500.00
Rebecca Rath
Study for Urambi
Oil on Wood Panel
26 x 20 cm
$880.00
Rebecca Rath
Study for Urambi ii
Oil on Wood Panel
26 x 20 cm
$880.00
Rebecca Rath
In Silent Watch (Lake George)
Oil on Canvas (Oak Float Frame)
120 x 180 cm
$7,700.00
Rebecca Rath
Rain Kissed Land, Yarra
acrylic monotype and soft pastel on fabriano paper
75 x 56 cm
● Sold
Rebecca Rath
Study for Lake George
Oil on Wood Panel
20 x 26 cm
● Sold
Rebecca Rath
Study for Yarra
Oil on Wood Panel
26 x 20 cm
● Sold
Rebecca Rath
Whispers of the Day (Michelago)
Oil on Wood Panel
30 x 30 cm
● Sold
Rebecca Rath
The Earth a Scent so Sweet (Yarra)
acrylic monotype and soft pastel on fabriano paper
75 x 56 cm
● Sold
Rebecca Rath
Where Wildflowers Bloom, Mount Painter
acrylic monotype and soft pastel on fabriano paper
75 x 56 cm
● Sold
Rebecca Rath
Bullen Ranges cast their afternoon plume
Oil on Canvas (Oak Float Frame)
60 x 75 cm
● Sold
Rebecca Rath
Where the Wallaby Tread (Urambi)
Oil on Canvas (Oak Float Frame)
75 x 60 cm
● Sold
Rebecca Rath
Dusk, Yarra's land Is Born Anew
Oil on Canvas (Oak Float Frame)
120 x 180 cm
● Sold
Rebecca Rath
Big Skies III (study) (Oak Float Frame)
Oil on Wood Panel
30 x 20 cm
● Sold
Rebecca Rath
Big Skies II (study) (Oak Float Frame)
Oil on Wood Panel
30 x 20 cm
● Sold
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